*******

Now years later, I sat through five seasons. What I must confess I like most now is the mindlessness. I don't watch TV shows much, but no movie comes close to this level of pointlessness. I think Friends celebrates oddity, sexual perversity and moronic behaviour. Sometimes this is even presented as being endearing. Despite all this, I still can't believe I watched 60 hours of mindlessness. Now I am searching for answers as to why the series is so popular and so addictive.
*******

The last one I saw was Apocalypse Now, directed by Francis Ford Coppola, definitely the most ambitious of the three. (The first two were directed by Oliver Stone and Kubrick respectively). Based on the Conrad novel, Heart of Darkness, it traces the boat journey of Captain Willard (Martin Sheen) to the Cambodian border to assassinate Colonel Kurtz, played by Marlon Brando. Kurtz has gone renegade and the US army doesn't want him around. Actually, Kurtz having realised the horror of the futile war has gone into his own cocoon. Duvall, playing a colonel who bombs a village to surf on its beach, gets the best line though, "I love the smell of napalm in the morning."
No wonder the movie was controversial as hell, a fact made to full use by its makers. It ended the Coppola decade, who was the first of the movie brats, who got old the first. Coppola would never again attempt a movie of this scale. Years later, however, Spielberg, the other brat, would upstage Coppola's 'Ride of the Valkyries' sequence with the 'Normandy Invasion' sequence in Saving Private Ryan.
(Movie brats was once used to refer to Spielberg, Lucas and Coppola, who began in the 70s and made self conscious films. Later, Quentin Tarantino and Peter Jackson were added to this list. They all had one thing in common. They were unlike their predecessors the first true children of film. A parallel can be seen in Manirathnam, Kamal Hassan and a few others being named as the "Alwarpet Kumbal")